Ahmedabad: Victoria and Albert Museum and Mapin Pulishing, 1992. 4to (29x22cm), 240pp, 152 colour & 7 b/w illustrations, in original binding with dust jacket.

London: Her Majesty's Stationery Office, 1972. First Edition, 4to (25x19cm), 298pp, 74 illustrations, in original binding with dust jacket.

New Delhi: Lalit Kala Akademi, 1938. 4to (19x25cm), 93 pages, 65 plates, in original cloth binding with dust jacket, good condition.

New Delhi: Lalit Kala Akademy, 1984. 4to (25x25cm), 44pp, 35 plates, in original binding with dust jacket.

Calcutta: Indian Museum, 1951. 4to (31x24.5cm), 19+xiii pp, 13 color plates, in paperback pictorial binding.

This album presents art-lovers and students of art early pictures of paintings and frescoes of Abanindranath, the master-artist, and are steeped in emotion. They breath the simplicity of a child, the bashfulness of a village bride, and the pathos of a pastoral flute.Latterly in his pictures from Meghaduta and Omar Khayyam and lastly in those from the Arabian Nights, this note of the pastoral flute seems to have flourished into the resonant melody of the Vina. The close of the Vrndaban cycle seems to have birth to the cycle of Mathura.But heart of the artist, rich in emotion and sympathy, delights more in Vrndaban phase. I seeks to pierce through the veil of technique in order to reveal in art the fullest expression of emotion and love.It is also remarkable how he has endeavored to liberate Indian art from the trammels of ancient and medieval technique - the technique of Ajanta, Mughal, Kangra and other schools of painting.

Editorial Board: Dr. Mitra, Saroj Mohan, Dr. Chanda, Sunirmal, Dr. Ray, Sibani, Sri. Bhattacharya, Shankar, Sri. Sengupta, Priyabrata, Sri. Datta, Saroj and Sri. Bhattacharya, Ramdulal.

Calcutta: Rammohun Library & Free Reading Room. 1990, 4to (27.5x21.5cm), 375+30+xx pp, 30 color plates, in original cloth binding with dust jacket. Good Condition.

A Homage to Rabindranath Tagore from India and the World in celebration of his seventieth Birthday.

New Delhi: Vadehra Art Gallery, 2000. Folio (33x25cm), 316pp, in hardcover binding with dust jacket, excellent condition.

This superbly illustrated volume brings together a collection of essays that explore the unique and fascinating history of Indian art post independence (1947). Featuring detailed and informative biographical profiles of more than 100 major contemporary Indian artists - set in the context of their artistic evolution-and an extensive account of the leading schools of artistic expression and movements that have influenced Indian art over the last five decades.

Calcutta: Bidyut Ranjan Basu, Santiniketan Press, Santiniketan, Birbhum. Tagore Centenary Number. Vol. 26, Number 3 and 4. 4to (17x24.5cm), 364+XLIVpp, in original pictorial binding.

 
The Visva-Bharati is a quarterly journal of Vishva Bharti University which was founded by Rabindranath Tagore located in West-Bengal, has been the alma mater of several prominent personalities of the national movement in India. Tagore coined the name Visva-Bharati, which means the communion of the world with India.

Calcutta: Indian Society of Oriental Art, 1844. Published simultaneously in the Journal of the Indian Society of Oriental Art Vol. XII. First Edition, 4to (23.5x28cm), 30pp, 14 full-page mounted plates, 5 are in color. In-text drawings, smaller illustrations (one in color), photographic portrait of the artist as a frontispiece. Gray paper covers with titling, mounted illustration.  

One of the first books published on this artist. Scarce.

Baden-Baden: Holle and Co., 1959. First Edition, 4to (23.5x18cm), 257pp, 36 b/w and 61 color illustrations, in cloth binding with slipcase, title in gilt on front cover and spine.

A thorough exploration of Indonesian art from the neolithic to the 20th century, citing influences of Indian culture, Buddhism, Hinduism, and Islam. Chapters explore music and dance and the art of Bali.