London: John Lane The Bodley Head Ltd., 1921. First Edition, 8vo (14x22cm), 241+6pp, grey cloth binding, A very decent reading copy.

New Delhi: Lalit Kala Akademi, 1938. 4to (19x25cm), 93 pages, 65 plates, in original cloth binding with dust jacket, good condition.

New Delhi: Lalit Kala Akademy, 1984. 4to (25x25cm), 44pp, 35 plates, in original binding with dust jacket.

A Big Game Anrhology. A collection of "Snapshots" of African and Asian big game hunting, extracting highlights from the writings of Selous, Oswell, Baldwin, other famous big game hunters.

London: A & C. Black Ltd., 1931. 8vo (14.5x22cm), 290+xpp, in original cloth binding title in gilt on spine, good condition.

Allahabad: The Pioneer Press, 1922. 8vo (13x19cm), 237+xvi pp, 1 map, in original green cloth binding, good condition.

New York: John Lane, The Bodley Head. 1920. First Edition, 4to (20x26cm), 209+viii pp, 6 plates, cloth binding, gilt decoration on spine and front cover, good Condition.

Calcutta: Thacker, Spink & Co., 1920. Fifth Edition, 8vo (18.5x12.5cm), 585+v pp, in original green cloth binding, good condtion.

Calcutta: Indian Museum, 1951. 4to (31x24.5cm), 19+xiii pp, 13 color plates, in paperback pictorial binding.

This album presents art-lovers and students of art early pictures of paintings and frescoes of Abanindranath, the master-artist, and are steeped in emotion. They breath the simplicity of a child, the bashfulness of a village bride, and the pathos of a pastoral flute.Latterly in his pictures from Meghaduta and Omar Khayyam and lastly in those from the Arabian Nights, this note of the pastoral flute seems to have flourished into the resonant melody of the Vina. The close of the Vrndaban cycle seems to have birth to the cycle of Mathura.But heart of the artist, rich in emotion and sympathy, delights more in Vrndaban phase. I seeks to pierce through the veil of technique in order to reveal in art the fullest expression of emotion and love.It is also remarkable how he has endeavored to liberate Indian art from the trammels of ancient and medieval technique - the technique of Ajanta, Mughal, Kangra and other schools of painting.

Editorial Board: Dr. Mitra, Saroj Mohan, Dr. Chanda, Sunirmal, Dr. Ray, Sibani, Sri. Bhattacharya, Shankar, Sri. Sengupta, Priyabrata, Sri. Datta, Saroj and Sri. Bhattacharya, Ramdulal.

Calcutta: Rammohun Library & Free Reading Room. 1990, 4to (27.5x21.5cm), 375+30+xx pp, 30 color plates, in original cloth binding with dust jacket. Good Condition.

A Homage to Rabindranath Tagore from India and the World in celebration of his seventieth Birthday.

New Delhi: Vadehra Art Gallery, 2000. Folio (33x25cm), 316pp, in hardcover binding with dust jacket, excellent condition.

This superbly illustrated volume brings together a collection of essays that explore the unique and fascinating history of Indian art post independence (1947). Featuring detailed and informative biographical profiles of more than 100 major contemporary Indian artists - set in the context of their artistic evolution-and an extensive account of the leading schools of artistic expression and movements that have influenced Indian art over the last five decades.